9 November, 2009
Sure, I Guess That’s My Final Answer
Typeface: Whitney Semibold
I have a friend, an editor at a renowned university press, who is one of the world’s foremost authorities on the English language. He is my go-to man for typo-lexico-philological questions, like whether there’s an English word that contains the adjacent letters h and x (there is); he’s the sort of gent to casually drop the words "usufructuary" and "megaboss" in the same sentence. It was therefore with great temerity that I once challenged him to a game of Scrabble, which to my surprise and relief he declined. ”I hope you understand,” he said, “I can’t. What would happen if I lost?”
This allegory was far from my mind when I agreed to captain Team C at “The Type is Right,” the AIGA/NY’s first-ever typographic game show. Join me and H&FJers Andy Clymer and Sara Soskolne, along with nine other nerds and nerdesses, as we go for the gold tonight in Brooklyn. The contestants’ range of interests and inclinations suggests a fun evening, probably one rife with withering embarrassments that you won’t want to miss. So come and join us this evening at Galapagos in DUMBO, and see which lucky typographer gets the chance to go all Kanye on the actual winner. —JH
The Type is Right
Monday, November 9, 2009, 6:30–8:30pm
Galapagos Art Space
16 Main Street
Update: H&FJ clinches the vaunted title! Assisted in no small part by our fourth contestant, selected from the audience by random draw: typomaniac Ina Saltz. (Which is a little like learning that "one of the dads," who has volunteered to fill in at a Little League game, turns out to be Barry Bonds.) Thanks to the AIGA/NY, emcee Ellen Lupton, host Matteo Bologna, puzzlemaster Paul Shaw, and all the other participants for making it a fun evening. And please never remind us that we mistook a line of Zuzana Licko’s Filosofia (1996) for a line of Giambattista Bodoni’s Manuale Tipografico (1788). Our only explanation is that the venue boasts very bright spotlights, and an enviable collection of pale ales.
9 April, 2009
The H&FJ Institute for Unapplied Mathematics
We've received our share of intriguing questions over the years, but this one takes the cake. On Monday, a correspondent called from National Public Radio to discuss the implications of typesetting a number with twelve million digits.
The number in question is 243112609-1...Continues...
17 October, 2008
A Typographic Challenge at 7.08661417 × 10-6 points
With what is delightfully being called “The Atomic Pen,” a team of researchers has created what are likely the world’s smallest letters. At left is an array of silicon atoms measuring two nanometers in height, or .000007086614175 points to you.
Their technique, documented in today’s issue of Science magazine, makes use of an earlier discovery: that within a certain proximity, individual atoms from the silicon tip of an atomic force microscope will exchange with tin atoms on the surface of a semiconductor. “It’s not possible to write any smaller than this,” said researcher Masayuki Abe, which sounds like a challenge to me: I can already think of one way to make letters that are 8% smaller, using the team’s own technique. Can you? Answers next week. —JH
10 July, 2008
The Oxford English Dictionary in Limerick Form
Nineteen years of designing typefaces has amply proven H&FJ’s Third Law, which states that for every act of exhaustive research, there is an equal and opposite act of total silliness. This principle extends from typography into other disciplines as well: behold — no kidding — the Oxford English Dictionary in Limerick Form.
Precisely the kind of project that the internet was made for, the OEDILF (stop snickering!) has brought together contributors from around the globe for the purpose of rendering every entry in the world’s most famous dictionary into a-a-b-b-a form. The fascicle A-Cr is well underway, with 45,297 entries so far, making this a site you don’t want to stumble upon when you’re up against a deadline.
As if the premise wasn’t ridiculous enough, many contributors have...Continues...