10 December, 2009
An Acropolis Italic sighting is a rare event, so even at 48 pixels I couldn’t help but notice that George Garrastegui used the font’s letter G in his Twitter icon. George was kind enough to send me the original file, though it’s not the mere design fragment I’d assumed: it’s a photo of a foot-high sculpture in corrugated cardboard, made manifest by fellow designer Maurizio Masi. Thank goodness George’s name begins with a letter that can stand on its own, for had he been ‘Frank’ or ‘Peter’ he’d have been doomed to the Sisyphean life of forever righting his own lopsided initial.
Is it me, or is there something vaguely menacing about the typeface when it’s enlarged to these proportions? Maybe it’s a byproduct of being given material form; curiously, this is not the first time Acropolis Italic has gotten a spooky 3-D treatment… —JH
1 April, 2009
Typeface: Verlag Condensed Black
We're resisting the temptation to go against last year's declaration that April Fools' Day website goofs are inherently unfunny, so it pleases me to instead have an genuine update regarding someone else's typographic silliness.
Eighteen months ago, we reported on a mysterious typographic gift that materialized outside the H&FJ offices. Today, I am delighted to report that the culprit (artist) has come forward! Rob Keller — who may well be a typeface designer graduated from the University of Reading, but will always be known to me as The Grecian Bandit — apparently included us on his rounds when distributing ceramic letter sculptures throughout the city, as part of a project called Left Out Letters. Check out the collection of photos on his blog: in addition to Plaintiff's Exhibit A documenting his Acropolis Italic "h" and "fj," there's a fantastic tableau showing a French Clarendon lowercase "m" being worshipped by a field of dairy cows. Which is exactly how type designers like to imagine our planet looks like from outer space, at least metaphorically. —JH
26 October, 2007
Grecian Fonts: A Miscellany
I thought I'd bid farewell to H&FJ Greek Week with a glimpse inside some of our library's more exotic type specimens. After the jump, some stellar Grecian typefaces which have yet to be properly revived, and the type specimen books in which they're showcased so well.
The above is unusual: it's the 10-Line Grecian Double Extra Condensed of William Page (1872), and eagle-eyed readers may have noticed that it's printed not in black and white, but in retina-searing magenta. Why? It's because...Continues...
25 October, 2007
Ode on a Grecian Kern
Greek Week Continues!
Like all good New Yorkers, we know how to respond to unattended packages: with deep dread and unbridled panic. Yet despite our daily diet of Orwellian public service announcements, a devil-may-care attitude moved someone at H&FJ to immediately open the unmarked brown paper parcel that was left outside our door (candy!), inside which were these: a pair of fired clay sculptures in the shape of — what else? — the h and fj from our very own Grecian italic typeface, and this week's cause célèbre, Acropolis Italic. Bookends? Graven images? Anyone care to fess up? Whoever you are, you've earned your stripes for ginning up an 'fj' ligature where there was none; that takes both thoughtfulness and pluck. So thank you for the gift, secret admirer! Do get in touch so we can send you a proper thank-you note, or a restraining order. — JH