Hoefler & Frere-Jones

Typeface: Acropolis

An Acropolis Italic sighting is a rare event, so even at 48 pixels I couldn’t help but notice that George Garrastegui used the font’s letter G in his Twitter icon. George was kind enough to send me the original file, though it’s not the mere design fragment I’d assumed: it’s a photo of a foot-high sculpture in corrugated cardboard, made manifest by fellow designer Maurizio Masi. Thank goodness George’s name begins with a letter that can stand on its own, for had he been ‘Frank’ or ‘Peter’ he’d have been doomed to the Sisyphean life of forever righting his own lopsided initial.

Is it me, or is there something vaguely menacing about the typeface when it’s enlarged to these proportions? Maybe it’s a byproduct of being given material form; curiously, this is not the first time Acropolis Italic has gotten a spooky 3-D treatment… —JH

Typeface: Ziggurat

When Abi Huynh sent me this image, I thought at first that it was a website graphic in the prevailing style: a digital rendering of high-gloss black acrylic, against a reflective white surface, in that "web 2.0" style that will not go away. But no! It’s an actual artifact, and a lovely one at that. Dominic Hofstede and Wendy Ellerton designed this limited edition stencil, a lovely laser-cut thingum at A5 size, produced as a promotional gift for the Australian studio Hofstede Design. Front and center here is our Ziggurat typeface, the lone representative of roman capitals to join a great typographic crew: among others, the design features one of the world’s best ampersands (from Caslon), along with sundry other punctuation (you know I love paragraph marks and daggers), and a Fraktur capital S. —JH

Typeface: Gotham Bold

By the way, that tiny screen grab below — which even fixed in time is so charmingly reminiscent of that CBS cafeteria designed by Lou Dorfsman — is but part of a captivating typographic video designed by Gretel. Greg Hahn was kind enough to share with me the original; I hope you enjoy it as much as I do. —JH

Typeface: Verlag Condensed Black

We're resisting the temptation to go against last year's declaration that April Fools' Day website goofs are inherently unfunny, so it pleases me to instead have an genuine update regarding someone else's typographic silliness.

Eighteen months ago, we reported on a mysterious typographic gift that materialized outside the H&FJ offices. Today, I am delighted to report that the culprit (artist) has come forward! Rob Keller — who may well be a typeface designer graduated from the University of Reading, but will always be known to me as The Grecian Bandit — apparently included us on his rounds when distributing ceramic letter sculptures throughout the city, as part of a project called Left Out Letters. Check out the collection of photos on his blog: in addition to Plaintiff's Exhibit A documenting his Acropolis Italic "h" and "fj," there's a fantastic tableau showing a French Clarendon lowercase "m" being worshipped by a field of dairy cows. Which is exactly how type designers like to imagine our planet looks like from outer space, at least metaphorically. —JH