5 December, 2007
Typographic Gifts for Designers, Part 2
A few weeks ago, I posted some scans of nineteenth-century wood types by William Page, from the rare specimen book Wm. H. Page & Co. Wood Type of 1872. The designers at the Cary Graphic Arts Press (Rochester Institute of Technology) apparently share my love of Page's colorful woodtypes, for their lovely Wood Type Notecards reproduce some pages from the exceedingly rare Specimens of Chromatic Wood Type, Borders, &c. of 1874. I don't imagine I'll need much of a pretext to send these to my favorite typophiles; I think I'll save the SIN cards to send to clients who don't correctly use small caps or smart quotes. —JH
30 November, 2007
An Early Snowtype
The snow-themed alphabets below all belong to the world of lettering rather than typography, but typefounders have made their share of snow-covered fonts as well. Some of these go back quite a bit further than I imagined, as I learned this afternoon: at lunch, Tobias mentioned offhandedly that he remembered being surprised to see a snow-covered typeface in a specimen book from Weimar Germany. "I don't remember which book it was," he added, a sure-fire way of triggering a typographic wild goose chase at the office.
Half an hour later, and covered in dusty fragments of brittle yellow paper, we found it. Naturally it was in none of the specimen books that we thought to check first, from the Bauer, Berthold, Klingspor, Ludwig and Mayer, Schelter & Giesecke, Schriftguss, Klinkhardt, C. E. Weber, or Flinsch foundries. It was lurking on page 120p of Die Haupt Probe, otherwise known as The Behemoth: the 1,478-page, six-kilogram, scanner-breaking type specimen of the Stempel Foundry, issued in 1925, and thought to be the largest typefoundry specimen book ever produced. Behold Schneekönigin, a snow-capped adaptation of the Fette Teutonia typeface. Like the book that contained it, it is equal parts delightful and menacing. —JH
31 October, 2007
The Pompadour typeface, from the 1837 specimen of the Tarbé foundry.
26 October, 2007
Grecian Fonts: A Miscellany
I thought I'd bid farewell to H&FJ Greek Week with a glimpse inside some of our library's more exotic type specimens. After the jump, some stellar Grecian typefaces which have yet to be properly revived, and the type specimen books in which they're showcased so well.
The above is unusual: it's the 10-Line Grecian Double Extra Condensed of William Page (1872), and eagle-eyed readers may have noticed that it's printed not in black and white, but in retina-searing magenta. Why? It's because...Continues...