“Grecians” are slab serif typefaces in which curves are replaced by bevelled corners. The fashion for octagonal letters took off in the 1840s (the style may have begun with an American wood type, produced by Johnson & Smith in 1841), and by the end of the decade there were all manner of Grecians on the market: narrow ones, squat ones, light ones, ones with contrasting thicks and thins, and ones without. It’s unusual that the rather obvious “square-proportioned” Grecian didn't arrive until 1857, and that no one thought to add a lowercase until 1870. It’s this very center of the Grecian universe that our Acropolis typeface occupies, which includes an additional feature of our own invention: a Grecian italic, something that no Victorian typefounder ever thought to create.
Or so we thought. This is the Six-Line Reversed Egyptian Italic of William Thorowgood, which sure enough qualifies as a Grecian italic. It has many peculiar features, but the most unearthly is its date: 1828, thirteen years before the first Grecian roman appeared. What’s the story?