Among the contributors to discover.typography are a couple of serious campers, a few people who enjoy a good hike, and at least one fledgling birdwatcher. At least one of us may have been involved in scouting as a kid, where the pursuit of such outdoorsy merit badges as Indian Lore, Basketry and Leatherwork pointed damningly to a future as the proprietor of a type foundry. But even for an indoorsy designer-to-be, there was much to love about camping: compact kits where things cleverly nested together, secret codes involving flashing lights or colored flags, the iconography of uniform badges, and multi-functional Swiss Army knives that prepared gutsy woodsmen for fixing eyeglasses or opening bottles of wine on the frontier. There was also the night sky, the joy of telling a chestnut tree by its leaves or a cottontail rabbit by its tracks, and the discovered pleasures of both camaraderie and solitude. It was with all this reverie in mind that we set to work on Trail Mix, a meditation on the outdoor life, in type.
The new controller.
Trail Mix includes a couple of unexpected type treatments for the web, from type wrapping a three-dimensional object, to letters rendered in embroidery. But the most significant change is to the controller, which identifies which fonts are used in each piece of art. Now you’ll see more detailed information about the fonts that go into our work — for example, not just that we used “Gotham,” but which specific styles we chose from the Gotham Narrow 1 package. We’ve also made the controller and the artwork mutually interactive, so you can select a font’s name to see where it appears in the art, and vice versa. And as always, there are a couple of easter eggs in store for the eagle-eyed, Eagle Scouts among you. Be prepared. —JH